My new favorite Hart Crane poem (I've been reading a lotta Ohioan writers lately... wonder why...):
National Winter Garden
Outspoken buttocks in pink beads
Invite the necessary cloudy clinch
Of bandy eyes.... No extra muffling here:
The world's one flagrant, sweating cinch.
And while legs waken salads in the brain
You pick your blonde out neatly through the smoke.
Always you wait for someone else though, always--
(Then rush the nearest exit through the smoke).
Always and last, before the final ring
When all the fireworks blare, begins
A tom-tom scrimmage with a somewhere violin,
Some cheapest echo of them all--begins.
And shall we call her whiter than snow?
Sprayed first with ruby, then with emerald sheen--
Least tearful and least glad (who knows her smile?)
A caught slide shows her sandstone grey between.
Her eyes exist in swivellings of her teats,
Pearls whip her hips, a drench of whirling strands.
Her silly snake rings begin to mount, surmount
Each other--turquoise fakes on tinselled hands.
We wait that writhing pool, her pearls collapsed,
--All but her belly buried in the floor;
And the lewd trounce of final muted beat!
We flee her spasm through a fleshless door....
Yet, to the empty trapeze of your flesh,
O Magdalene, each comes back to die alone.
Then you, the burlesque of our lust--and faith,
Lug us back lifeward--bone by infant bone.
God. How is poetry not, like, the biggest turn-on ever?
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